My Perspective on Creativity

Creativity
by: Rob Kistner

I want to reflect on human creativity, considering it from several different perspectives. First, let’s consider arts and crafts.

Arts & Crafts — There are many different types of creative human expression that fall under these two general categories: writing, painting, sculpting, weaving, ceramics, acting, singing, dance – the list is quite long. The artist or craftsperson determines and generates the creation as a form of communication: an emotional communication that reaches out to the human soul and spirit – the higher self.

The artist or craftsperson deems a creative work to be art or craft by their intention. Society determines if the creation communicated effectively enough to become enduring art or craft, but all expression of human creativity has great value.

I firmly believe encouraging the expression of human creativity can make the world a better place. A better place because creativity is the expression of the higher self. The world would do well if everyone grew closer in touch with his or her higher self.

If people were in touch with their higher self it would help curtail the atrocities and injustices they commit against each other. It would also add momentum to the focus to bring our planet back from the brink on which it now teeters.

Everyone is capable of creating. Contrary to what some may believe, people do not have to be taught to be creative. It is not necessary to learn that which we are already capable of. However, creativity can be elevated, which is a worthwhile undertaking. Education and mentoring are two excellent approaches.

If someone seeks art or craft as part of their life path, especially as their main life path, then they should be encouraged. I believe society should play a role in this. Organizations that foster and nurture the arts and crafts, such as the National Endowment for the Arts, should be funded and actively supported. It is good to have resources available for the creative disciplines.

There should be no censorship of these types of creativity. Human expression should not be repressed. Ideas resulting from the arts and crafts need to do battle in the public arena so that the consensus winner can, and hopefully will dominate. Society has an uncanny ability to eventually sort out what is best for itself. We must trust that.

Other Human Creativity — In addition to the many fields of arts and crafts, the obvious domains of human creativity, it is essential to realize that all areas of cognitively-driven human endeavor could be considered creative. For the sake of this essay, I want to focus on a few more that generate significant, far-reaching results — science, technology, and medicine.

These are a different type of human creativity. These have a direct physical impact on the world and its people. Humankind must count on the fact that it has a significant core of individuals who will instinctively, and creatively, pursue and advance these particular fields. It is essential we advance them if we are to reverse the world’s current lean towards a cataclysmic tipping point.

That said, I do believe that, while we may not want to necessarily censor these fields of creativity, it is essential that we closely monitor them. We must find a way to safely and effectively usher in these advancements. The challenge we face is to temper the untenable rush toward science, technology, and medicine — especially to the degree it is driven by the pursuit of corporate profits.

The pursuit of science, technology, and medicine must be accompanied by reason gleaned from history. The over-zealous dash to adopt every discovery in these areas, and quickly and carelessly usher them into our daily lives, has already unleashed a chain of both macroscopic and microscopic events that seriously threaten the intertwined fabrics of our global ecosystem on many fronts – personal health, the oceans, our agriculture, the animals — the environment as a whole.

The fields of science, technology, and medicine are potent as never before. They hold the promise for our future, but only if we find a way to approach them, and the resulting discoveries, responsibly. With regard to the discoveries, we cannot abide the introduce-because-we-can mindset. It threatens global survivability.

Before it’s too late, we must begin a worldwide dialog concerning responsible creativity in these fields, in the research and development, and get the entire planet to join the conversation. From that conversation must arise a blueprint regarding the disposition and introduction of new discoveries in these fields, to which we all agree — and a mechanism to make the blueprint effective and binding.

BOTTOM LINE

We must encourage and support the participation, by all the people of the earth, in some form of creativity. Whether it is for personal expression or for the larger benefit of society, be it grand or modest — the act of human creativity has the potential to save the planet, and to save its inhabitants.

My Cabinetry Designs

N.B. all designs & artwork on this post © rob kistner

 

The cabinet above is one I designed for the MMC Series of Flexdécor Modular Furnishings. It is designed to fit snuggly in the corner of a room when doors, windows, fireplaces, etc. make any other location impossible. The style is called Deco.

The unit you see holds a 70″ HDTV. The left, center, and right front speakers of the surround sound system, as well as the subwoofer, are built into the cabinet. There are also two ample, whisper-fan cooled enclosures to house the AV gear. Lots of software storage.

Below are more of my furniture designs. The names you see in the upper portion of the image is the name of the particular style line to which it belongs.

All of the furniture I design is modular, which means many different configurations of useful funiture pieces can be configured in each style line. There are also a wide variety of finishes and accessory options available, so each piece can be highly personalized to an individual’s taste.

 

The piece above is a wardrobe configuration in the “Girddon” style.

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The piece above is a bookcase configuration in the “Taliesin” style.

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The piece above is a wine cupboard configuration in the “Zen” style.

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Above is an office ensemble configuration in the “Struxure” style.

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The piece above is a pocket-door AV configuration in the “Taliesin” style.

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The piece above is a china hutch configuration in the “Brittic” style.

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The piece above is an AV corner-cabinet configuration in the “Zen” style.

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The piece above is a mirrored dresser configuration in the “Deco” style.

What is your opinion regarding art/craft?

I would like to hear your thoughts and feelings regarding art and/or craft, whether writing, painting, sculpture, acting, designing, singing, and the like. Post whatever you feel is relevant to this topic.

Here are few questions you might address.

• Who determines what is art and/or craft, the person creating — or society?

• Is everyone creative?

• Can creativity be learned?

• In what ways are you creative?

• Does art and/or craft make the world a better place, worse place, or make no difference?

• Should people pursue, or be encouraged to pursue a life dedicated to art and/or craft?

• Is the “National Endowment for the Arts” a frivolous waste of tax dollars?

• Should creativity be censored?

Again, please respond to this post as you see fit. Make up your own questions and reply. I genuinely appreciate your doing so. Thanks!

My Chair Designs

N.B. all designs & artwork on this post © rob kistner

This chair above is one of my many chair designs. It is part of a seating series I call Setté•Euro. It is part of an upcoming full line of modular furniture called Flexdécor Modular Furnishings, which also includes cabinetry, tables, and lighting that I have designed.

The following are more contemporary chair styles which I have designed. Each style line includes single seats, love seats, sofas, and ottomans. There is a wide variety of coverings available, so considerable personalization is made easy.

The ensemble above is a chair with ottoman from the “Wing” style line.

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The single chair above is from the “Bacall” style line.

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The office chair above is from the “Solo” style line.

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The ensemble above is a chair and ottoman from the “Rex” style line.

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The single chair above is from the “Jak” style line.

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The single chair above is from the “Nico” style line.

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The sofa above is from the “Kushétte” style line.

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The single chair above is part of the Cinechaiseâ„¢ Series of home theater seating. This series features single seats, love seats, sofas, and multi-seat rows that can be joined with straight arms for straight rows, wedge arms for curved rows, or with no arms at all. The Cinechaise Series reclines, electrically or manually. Very large selection of coverings. This particular style is called Dax.

Freedom

Author’s note: This is a lyrical short story, with a poetic essence. This is a retelling of a scene from a cross-country motorcycle journey I took in 1970 with my three best friends. It was prompted by my travel diary, kept during this trip. Ironically this adventure began in Cincinnati, Ohio, as did the recent movie “Wild Hogs”.
 

Freedom

~

Dedicated fondly to Wally Bolduc, Bill Sutphin, and in fond memory of Tom Sutphin
we were the fantastic four

Leaning comfortably into the turns, breeze streaming through our long hair, we wind our way into the mountains, into the evening, alive with the two-wheeled freedom of the open road, not counting days, not keeping track, just being – free!

We glide between alternating shadow and light, as the sun reveals itself, from time to time, warming us from between the peaks, as it begins to settle behind the western slope of the Rockies.

Four friends, four adventurers — we’d thrown off the structured mantle of life, to venture into the random, the unknown, and embrace the magnificent perfection of living in, and for, the moment.

Discarding all identity and baggage associated with our previous realities, we had re-christened ourselves in the spirit of this grand escapade.

Tom became WiseMan; Wally, SturdyMan; Tom’s brother Bill appropriately became PartyMan; and me, DirectorMan, toting the maps, setting the course, and trying my damnedest to keep this wild show on the road. Each named by the others, with uncanny foresight, as life would later testify.

While hardly true superheroes, we did possess the audacity of brazen youth essential to breathe life into our new “secret persona“ known to this date, only to each other.

Tom in his red/white/blue riding suedes, Wally in his cool rust-colored Buckskin fringe, Bill with his ever-present rosewood Martin guitar, and me in my seam-embroidered denim jacket, with peace sign back patch — we were boldly on the road, a rolling carnival of curiosity.

Four newly-anointed superheroes, fresh on the heels of the “Summer of Love”, dedicated to a critical mission; spread the peace, share the love, save our sanity, and above all else — keep the party rolling!

Up out of Boulder and down into Dream Canyon we scramble, each rider alternately surging to the front of the pack, setting the pace, then drifting to the back — enjoying the thrill of the throttle! This is as close to flying as it gets, without actually being airborne!

Down into the canyon we sail, twisting along the asphalt as it snakes its way, hugging the most beautiful mountain stream I’ve ever seen. Upcoming curves are often hidden from view, as they disappear behind the rise of a slope. Mountain peaks soar, brushed and enfolded by powerful clouds, moving with majestic purpose through a brilliant blue sky.

We charge onward, awash in the kaleidoscopic wonders surrounding us, filled with an exhilarating sense of danger to season the excitement of discovery. Awesome feeling!

Gradually, a long, lazy right-hand sweep carries us round and through a summit pass. Then a sudden crisp rise, a snap-quick left dip, and BAM – a gorgeous vista of rolling green and shimmering gold explodes before us as our cycles straighten upright. Captivating! Breathtaking!

And there, just ahead, next to the stream, by that stand of vibrant aspens bordering the southern edge of this high-mountain meadow, lay our evening’s destination.

Slowing, we turn carefully off the road, coasting gently to a stop on the smooth, cushioned canyon floor. Here we’ll camp.

One by one we glide to a perfectly parallel pause, boots down, straddling our dual-wheeled rockets, a precision squadron of festooned free spirits.

First Wally, then I, then Tom; and last, as often happens, comes Bill. We first three, mesmerized in the moment, suddenly remember! Turning in a unified, but futile shout, drowned by the drone of internal combustion, we frantically exhort Bill to, “be careful — your feet down!”

Bill, god love him, for some strange reason, occasionally forgets to put his feet down after an extended period of riding.

Too late! With a tilt and a tumble, Bill goes over. A huge smile is beaming from his face, visible in flashes as he cartwheels, ass over backpack, to a cluttered crash landing.

Dropping our kickstands to balance our ‘rides’; the man of wisdom, the man of strength, and the man with the plan stumble laughingly to help the man of mirth right his wheels and collect himself.

Here we circle, nudging, slapping, laughing – handsome in youthful friendship, hysterically perplexed by Bill’s absent mindedness, intoxicated by the awesome beauty of the natural world around us, and totally exhilarated by another day spent as truly free men!

The spell interrupted, we adjourn, each man separately to his bike, turning to the detailed but pleasant task of settling in — our souls satisfied by the serenity of the moment.

Smiling, shaking my head in sweet wonder, I muse, “Bill’s just got to remember to put his feet down!”

It’s nearly four decades since those days of freedom. Memories have cooled, grown hazy. I take license in their recall, grateful they remain at all. I’m blessed by their refrain, no matter how faint.

My days are not so light now. I’m rooted in responsibility, balancing the blessings and the burdens of life — sometimes bent by the yoke of worry, made heavy by the weight of loss.

Yet, occasionally, I still feel the gentle breeze of freedom stir, as I stand, feet firmly planted, braced against the changing winds of time and fate.

Adrift in the eternal now, awash in recollection, I chuckle silently to myself, struck by the image of Bill struggling to get those damned feet down.


Falling deeper in reverie’s embrace, I can almost feel that wind on my face, tossing once more my youthful mane. I whisper a promise to my awakened spirit, “Someday, before it is too late, I will again lift my feet up, and lean into those turns.”

~ ~ ~

rob kistner © 2007

Remembering Allen

Author’s note: “Remembering Allen” is free verse poetry that reflects the lives of the individuals featured herein, and their impact on mine. Born in ‘47, I was just at the final fringe of beats, but once I discovered them, they influenced my song lyrics and poetry since I was 14-years-old. The characters in this piece are, in order of appearance, Allen Ginsberg, Jack Kerouac, Neal Cassady, Timothy Leary, and Ken Kesey. This work neither condones nor condemns anything, and intends no value judgments.

(for Allen Ginsberg, upon the 10th anniversary of his passing)
____________________

Oh I was there!
You and Jack – suckling life’s sweet underbelly,
in the quaking nocturnal neon zoo.

Me – in my plastic-handled-Roy-Rogers-two-gun glory –
running fast as I could to catch the bad guys.

Racing to outdistance the abandonment, the alienation,
that already knew me by my first name –
altogether too damned familiar.

Oh I was there –
separated only by time and space,
the chronological happenstance of conception.

You and Jack and Neal – groin deep in human wallow,
swilling full the brain-drug flesh festival,
spewing forth to fill, in latter years, my fertile ears
with the siren song of sacred dissatisfaction.

Your fingers burned from dancing with the fire-whores of
truth, angst, and indignation.

Me – swollen with the sting of banishment, taunted,
the outcast bastard – unaccepted by my peers.
Frightened child fleeing to a world within,
yet vibrating with virgin vision –
naive imagination – foolhardy faith,
that somewhere, someday, something must be better.

Oh I was there, though none yet aware – but there I was!

Coming over that hallowed hill of pubescent predilection,
fast and hard as holy hell – cresting and crashing in,
just as night fell on Bohemia –
the streets now new ablaze in a black-light
strobe-light, tie-dyed lightshow!

I was on the road, I was on the bus, I was on my way –
howling mad, and mind-expanded!

I came in a rolling demon’s fire,
lighting the night, dancing with every devil I could find.
Ranting and raving and blazing.
A combusting carnal fireball – roaring –
hormoned-hungry for all of life’s deliciousness.
Ferocious appetite, lusting and longing to consume
every forbidden morsel and crumb –
to gorge the smorgasborgadelic mindfeast
succulently set by Neal, Jack, you, Tim, and Ken.

Man – I was there!

Thundering in your shadows, warmed by your light,
though just beyond,
though just beyond.

Each light burned so brightly, then each burned out,
all flames are gone.

I remember, Allen.
All you crazy blessed bastards — I remember,
you marvelous magic maniacs!

Madder men than you the world will not soon see.

But you’ve departed — there’s only me.

rob kistner © 3/27/07

Yahtzee