Category: triolet

The Fool


“Sad Harlequin” by: Lladro

 
The Fool

~

I will not smile today, you see
my broken heart is hurting, so
tears now reside where joy ran free.
I will not smile today, you see
she loved my gold, but not so me.
Played for a fool, I did not know.
I will not smile today you see,
my broken heart is hurting so!

~ ~ ~

rob kistner © 2008
(revised © 2018)

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    Repetitive Forms – Meeting the Bar

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  • Probably invented in the 13th century, the triolet was cultivated as a serious form by such medieval French poets as Adenet le Roi and Jean Froissart. … The earliest triolets in English are those of a devotional nature composed in 1651 by Patrick Cary, a Benedictine monk, at Douai, France.
     

  • History. The triolet is a close cousin of the rondeau, the rondel, and the rondelet, other French verse forms emphasizing repetition and rhyme. The form stems from medieval French poetry and seems to have had its origin in Picardy. … Also, at the end of the 15th century, the term triolet appears for the first time.
     

  • The triolet is a short poem of eight lines with only two rhymes used throughout. The requirements of this fixed form are straightforward: the first line is repeated in the fourth and seventh lines; the second line is repeated in the final line; and only the first two end-words are used to complete the tight rhyme scheme. … Thus, the poet writes only five original lines, giving the triolet a deceptively simple appearance: ABaAabAB, where capital letters indicate repeated lines.