Words of the Wizard

…I wrote this in response to prompt #6 at Writer’s Island, the prompt is “Unforgettable”



“The Wizard of Westwood”
John Wooden 1910-2010

Words of the Wizard

•

John Wooden has,
on this 4th day of June,
in the year 2010
left this mortal realm
after 99 years
of untiring service
impeccable wisdom
and great love

a man of balance
and spiritual depth
such as John
comes so seldom
it must be seriously considered
that this world
has lost
one of its special angels

and that the warmth
and the stability
of humankind
may in fact
suffer consequence

I shed not a tear
for John
he needs no pity
it is for the rest of us
that I heartily cry

the following
are the immortal words
of a great and profoundly humble man

gather close
and hear

•

a mentor is someone
who can give correction
without causing resentment

ability is a poor man’s wealth

adversity is the state
in which man
most easily becomes
acquainted with himself
being especially free of admirers then

be more concerned
with your character
than your reputation
because your character
is what you really are
while your reputation
is merely what others
think you are

be prepared
and be honest

it is amazing
how much can be accomplished
if no one cares
who gets the credit

although there is no progress
without change
not all change is progress

consider the rights of others
before your own feelings
and the feelings of others
before your own rights

do not let what you cannot do
interfere with what you can do

don’t measure yourself
by what you have accomplished
but by what you should have accomplished
with your ability

failure is not fatal
but failure to change
might be

ability may get you to the top
but it takes character
to keep you there

listen
if you want to be heard

never make excuses
your friends don’t need them
and your foes won’t believe them

failing to plan
is planning to fail

if you don’t have time
to do it right
when will you have time
to do it over

there is nothing stronger
than gentleness

the true test
of a man’s character
is what he does
when no one is watching

if you’re not making mistakes
then you’re not doing anything
I’m positive that a doer
makes mistakes

it isn’t what you do
but how you do it

it’s not so important
who starts the game
but who finishes it

don’t let yesterday
take up too much of today
make every day
your masterpiece

it’s the little details
that are vital
little things
make big things happen

it’s what you learn
after you know it all
that counts

players with fight
never lose a game
they just run out of time

material possessions
winning scores
and great reputations
are meaningless
in the eyes of the lord
because he knows
what we really are
and that is all that matters

never mistake activity
for achievement

success comes from knowing
that you did your best
to become the best
that you are capable
of becoming

success is never final
failure is never fatal
It’s courage that counts

success
is peace of mind
which is a direct result
of self-satisfaction
in knowing
you did your best
to become the best
you are capable
of becoming

talent is god given
be humble
fame is man-given
be grateful
conceit is self-given
be careful

the main ingredient
of stardom
is the rest of the team

the worst thing
about new books
is that they keep us
from reading the old ones

there are many things
that are essential
to arriving
at true peace of mind
and one of the most important
is faith
which cannot be acquired
without prayer

things turn out best
for the people
who make the best
of the way things turn out

what you are
as a person
is far more important
that what you are
as a basketball player

young people need models
not critics

you can’t let praise
or criticism
get to you
It’s a weakness
to get caught up
in either one

you can’t live
a perfect day
without doing something
for someone
who will never
be able
to repay you

• • •

words by: John Wooden 1910 – 2010
opening by: rob kistner © 2010

• To learn more about John, please click here

Eve’s Eyes

• In response to prompt #5 of the newly opened We Write Poems, this is a surrealistic poem I created using a technique of creative omission called erasure. I am generally not a fan of fashioning a poem to or from a form or device — but this was interesting. The original poem I “mined” was entitled “Pointed Roofs”, by Dorothy Miller Richardson. You might find it interesting to compare Dorothy’s piece with my finished piece…



Eve’s Eyes

•

plentiful
the long faces

the girls
numerous
brought the sense of misery

the girls
nervous
were part of the remuneration

the very first
eve
playing a melody

swollen
her fingers weak
unexpectedly stiffened
her trembling hands
dreadful

she stood
angry

stupid people
had made her play

her discomfiture forgotten
she simply poked the piano

almost unrecognizable
she played with burning eyes

thumping
and thumping again
she played afresh
laughed into the air
back to the wall
behind the piano

• • •

rob kistner © 2010

________________________________

…the painting above is entitled “HOMAGE for GILLES CARLE”, by: Estelle St-Pierre

Letters of Love

…this is from my draft archives, in response to prompt #118 at One Single Impression

Letters of Love

•

letter by letter
word by word
I reach out

from fingertips flow feelings

memories alive
spirit full
my heart pours forth
warmed

I share honest emotion
barriers down
longing for connection

• • •

rob kistner © 2001

HeartFire

…I wrote this in response to the May 24th prompt at Big Tent Poetry

 

HeartFire

•

the velvet nape
of your slender neck
swept with wisps
of your silken hair

the tender swells
of your pouted lips
blossomed full
and glistening

your quiet sighs
of throaty passion
breathy hushed
in twilight deep

autumn sunrise
crisp and fresh
blushed coral
on your waking smile

sterling moonlight
that fondles you
in naked slumber
‘neath midnight’s window

sunlight’s gold
that falls dreamlike
filtered soft
in old growth forest

unspoiled nature
to far horizons
from where I watch
on mountain’s crest

a 6 series beamer
cool and cruisin’
down 101
on a perfect day

splendid jazz
inspired verse
christmas eve
a soul-felt tear

my child’s joy
a quiet snow
an evening breeze
spiced with cedar

pristine beaches
pacific sunsets
a waterfall
laughing with you

what fires my heart
what stirs my soul
what turns me on
these are a few

• • •

rob kistner © 2010


_________________________________

…from my archives, here is a bit more of what turns me on…


Trouble Comes to Dry Gulch

• In response to the 4th prompt on the newly re-opened Writer’s Island, I introduce you to my imaginary childhood friend. In the heart of a terrified young boy, he was more than real…




Trouble Comes to Dry Gulch

•

you were my truest friend
my steady rock of safety
my captain of escape
you were always there

the amazing man of magic
the hero of the weak
defender of the helpless
my always gentle friend

when the footsteps in the hall
woke me in the night
I would feel you tug my hand
and under we would go

through the secret passage
you kept beneath my bed
to the waiting viking ships
and off to fight the dragons

in the land of snow and castles
carved from clear blue ice
in our robes of fur
we struck with swords of gold

you were very brave
in the face of fear
I knew you would appear
never laughing at my tears

when the grating metal rasp
of door latch in the dark
would bolt me from my sleep
you would have the horses ready

we would thunder off to dry gulch
to wrangle up our posse
save the townfolk from the bad guys
and return when all was calm

you were very swift
in a snap you would arrive
in time to get me out alive
helping me survive

below the ocean we would dive
in your crystal submarine
down to the coral world
marveling at the creatures

we would leave the sub
to swim among the wonders
to dart and spin and float
far from pain and worry

you were very smart
my midnight flight arranger
to rocket us from danger
far from the evil stranger

we would soar to venus
in your silver ship
or to some distant star
and do battle with space monsters

and when they all were slain
we would fly the milky way
circle all the planets
thankful to be weightless

no matter how afraid
I knew that you would find me
knew you’d never judge me
I knew how much you loved me

knew you’d have me back by day break
with the dark night far behind us
and the warmth of welcomed sun
would once again embrace us

the midnight footsteps now are quiet
the ships and rockets sailed away
no more trouble comes to dry gulch
the crystal sub now long in dry dock

I’m not sure I ever thanked you
perhaps took your love for granted
without you I’d never have made it
I never will forget you

• • •

rob kistner © 2010


Integrity

…I wrote this in response to the May 17th prompt at Big Tent Poetry

 

Integrity

•

I have fondled
the fabric of fame

and now you look
for a pattern in my life
a tincture in my clarity
a glitch in my resolve

you seek the proof
that I will forsake decency
doff this cloak of dignity
don the garb of lechery

but your search is futile
no such precedent will you find

my integrity will not crumple
I will not capitulate
not for weighty purse
nor promised power

there is nothing material
can turn my heart from love

• • •

…the following is my insane wordle poem…

Purse Department Sign

•

never fondle
crumple
or capitulate

strange sign
to be found
in the purse department

proof
there is a glitch
in the pattern of logic
that no tincture
of common sense
can cure

any comparison
to sapient demeanor
is futile

so I doff my robes of reason
and don the garb of lunacy

• • •

rob kistner © 2010

Book of Ardor

• In response to the 2nd prompt on the newly opened We Write Poems, this piece was inspired by my listening to the 1974 vinyl record album entitled “Mysterious Traveler”, by Weather Report.


Weather Report was one of the earliest and most influential Jazz-Rock groups. Keyboardist Joe Zawinul and saxophone player Wayne Shorter formed the group in 1971. Both originally members of the Miles Davis’ group, they were joined by the legendary bassist, ,Jaco Pastorius, making Weather Report a milestone group of modern music…

_____________________________
…here is my poem inspired by their music…

Book of Ardor

•

eyes dark and deep as nile nocturne
scorching as nubian sundance
this blackthorn rose
is the secreted passion

the sultry jungle goddess
inscribed in the book of ardor

fired in molten scarlet
woman forged of earthen bronze

ablaze in the sensual dreams
of writhing midnight

she is smoke and flame
the mysterious traveler

• • •

rob kistner © 2010

________________________________

• The beautiful woman in the photo above is Jourdan Dunn

The Key

• In response to the 3rd prompt on the newly re-opened Writer’s Island, I offer a gothic tale…
• I also offer this in response to prompt #116 at One Single Impression




The Key

•

I must move quickly from this light
that pools incrementally
in this long
pungent
segmented hallway

there is some safety in the shadows
that linger tight
to the arch walls

so I bolt
through the full moon’s glow
that seeps silvered through the windows

I press myself
against the damp irregular surfaces
that are the stacked-stone
boundary breaks
of this eerie chiseled passage

I pause at each
until I reach the last

I halt

sliding two fingers
of my right hand
into the small pocket of my waistcoat
to confirm that it is still there
I feel the cool brass
of the oddly carved key

relief seasons my trepidation

nothing in my being
wants this dire mission
to which I am shackled

but it is only my hand
on the inscripted dagger
gripped tightly in my left
that can bring an end
to my uncle’s unholy
reign of horror

I am the last surviving member
of our cursed bloodline
so the brutal deed
falls to me

creeping stealthily forward
like a shade on the dank wall
I move cautiously closer
to the iron-laden
dense wood door
of his sleeping chamber

my heart pounding
my diaphram starved for breath
I feel I may pass out

but still I pursue
the evil incarnate
that lies
locked away
in undead repose

suddenly
a noise
immediately behind me

it echoes through these catacombs
pierces my taut raw nerves
and instantly paralyzes me

trembling
I turn

no one there

hushed
I listen intently

no other sounds
save the blood
pulsing as a roar
in my ears

I begin to move
but again
I hear it

panicked
I jerk my head around
and see

in this frozen moment
my stressed mind deduces
the source of the noise

moisture
collecting on the stone ceiling
gathers overhead
into sagging condensation

it released
as a weighty droplet
splattering on the floor
just behind me
with a sharp startling slap

I relax a bit
enough to again draw
tensioned breath

several more labored
careful steps
and I place my hand
gently on the wrought handle
of the immense door

transferring the lethal dagger
to my quivering right hand
I reach
steadily as possible
into my pocket
and withdraw the strange key

it is unnaturally heavy
and seems to emanate
an unearthly energy

I clutch it firmly
fearing if I lose my grip
I will lose my nerve

I guide the key
into the slot
of the ornate handle plate
seating it fully

slowly I begin to turn it

I feel the resistance
as the key’s teeth
engage with the bolt
and begin to grudgingly
draw it from its secure well

just before I have fully retracted it
I pause
my mind racing
blood pressure soaring
overcome by the magnitude
of what I am about to do

no turning back now
this must be done
and I must do it
but I am terrified

still I hesitate
attempting to gain
my much needed composure

I slow my heartbeat
steady my breathing
steel my resolve
and turn the key
its final quarter inch

the lock clicks
the handle releases
and the door unseats inwardly

this is it
fate has dealt the deck
I am prisoner
in this horrible game

I swing the door open
ever so gradually
and step in
toward my destiny…

• • •

rob kistner © 2010


Oh Brother!

Presented in response to the May 10th prompt from Big Tent Poetry, which suggested “be playful! Let the sound of the words carry the weight (of the poem)” — so here is my playful poem of sounds…

____________________________________

 

Oh Brother!

•

ACHOO!
exploded in the quiet room
followed by a couple loud sniffs

cover your mouth
I blurted in a whisper
before I bonk you on the noggin

he crackled with disdain
clicked the snap on his backpack open
and with a clunk and a clatter
surprisingly retrieved a tissue pack
from the cluttered contents
looking at me like I was cuckoo

he flicked one out
as a second fluttered to the floor

I growled my disapproval

he just giggled
honked his hooter
and hissed defiantly
jangling the keys
he had also pulled out

I knocked them from his hand
back into his backpack
and mumbled at him to hush up
and settle down

he murmured something unintelligible
rattling his pack shut
and plopping it back on the floor

I shushed him again
and started to slowly sizzle

suddenly I hear slurping
as he is sucking a soda
through a straw
splashing the liquid
over the ice
as he swirls and shakes his paper cup

I snap
and shout
shut up
thumping my fists on my knees

suddenly
everyone is eyeing me

I hear the lady next to me
going tsk tsk
like I’m the problem

it was all I could do
not to whip around in my seat
and whack her

yikes I thought
enough is enough

so I hopped to my feet
zipped my coat
grabbed him by the hand
and zoomed us out of there
into the car
slamming the driver’s door
and vrooooom

sped us home

never again I snorted
never again will I take you
little brother
to the movies

he just whipped on his iPod
began humming to his tunes
and ZAP…

flipped me off

• • •

rob kistner © 2010

____________________________________

photo from: Getty Images

Blue Temple

…response to prompt #14 from Magpie Tales



The image of this plate above, this week’s prompt at Magpie Tales, immediately put me in mind of serenity. Also, while the plate may be Chinese in origin, it also made me think of the ancient Japanese poetic form called tanka.

Tanka are 31-syllable poems that have been the most popular form of poetry in Japan for at least 1300 years. As a form of poetry, tanka is older than haiku, and tanka poems are evocative.

During Japan’s Heian period (794-1185 A.D.) it was considered essential for a woman or man of culture to be able to both compose beautiful poetry and to choose the most aesthetically pleasing and appropriate paper, ink, and symbolic attachment—such as a branch, a flower—to go with it.

Tanka have changed and evolved over the centuries beyond the traditional expressions of passion and heartache, and styles have changed to include modern language — but the form of five syllabic units containing a total of 31 syllables has remained the same.

Each line of a tanka consists of one image or idea. One does not seek to “wrap” lines in tanka, though in the best tanka, the five lines flow seamlessly into one thought or feeling.

This particular visual prompt also sparked my recall of a simple, but wonderful piece of art I discovered a few years back, entitled “Blue Temple” by Vorffy.

So here I present my tanka entitled “Blue Temple”, including for your pleasure, the Vorfffy art piece of the same name.

_____________________________




Blue Temple

•

birds in the blue sky

sampans on the blue waters

blue temple gateways

serenity is sacred

approach with your heart open

• • •

rob kistner © 2010


Why I Write

In response to prompt #87 at Poetic Asides




Why I Write

•

I write as proof that I exist
so as not to lose my mind

to prevent my sorrow
from choking the life
from my soul

to know what I really think
to ride the currents of my joy
and laughter

to track my growth
share what I have experienced
shed light on my ignorance
to leave my trace

expose my vulnerability
in hopes others won’t rebuke
banish
or hurt me
but rather see me worthy of mercy
of love
to see me not so unlike themselves
and have pity

because there is an urge
to break the mental silence
to make a din
create a literate clatter
to be certain I am not ignored
forgotten
or misunderstood

because I am sad
I am crazy
I am odd
I am insecure
I am lonely
frightened
cursed
clever

because I am thrilled
full of life
nearing death
desperate to know
confident in my knowledge

because I am entangled
and strangled
by the why of it all

because I can
and so that I might

for all of this
I write

and to survive
I have no choice

• • •

rob kistner © 2010


In A Heartbeat

In response to prompt #52 at Carry On Tuesday, and prompt #115 at One Single Impression




In A Heartbeat

•

the trip to visit you
is filled with memories
sweet anticipation
knowing the warmth of your hello
the strength of your handshake
your fond embrace

the stretch down I-5
we’re laughing and singing
miles zipping by
till we spy your exit

then west toward the coast
a quiet buzz of excitement
fills the car

at last we catch sight of your vineyards
as we crest big rock ridge

then the left turn
down your valley road
so beautiful
so familiar

hands on the wheel
I anticipate every bend and rise
every dip
exhilarating
as I navigate the gorgeous vistas

the sound of our tires
as they trundle ‘cross
the narrow wooden bridge
that fords your stream
boulder’d and crystal clear
as it tumbles and falls
brisk from mountain snow-pack

coming round
we see the corridor
of faithful old-growth firs
stepping back for us
inviting our return

the regal mountains reign
high above
granting us safe passage

boughs bend
branches sway
celebrating that we are back
when your gate comes into view
swung open in welcome

it’s left up your gravel drive
the pebble and crushed rock
crunch and clatter in stony rustle
as we traverse your hill
to see you and Michelle
cuddled on your porch swing
your family pouring down the steps
into the yard
beaming bright eyed
arms open for embrace

six hours and 300 miles
separate us
but the journey always goes by
in a heartbeat

the road to a friend’s house is never long

• • •

rob kistner © 2010


Boxes – Contemplation in 3 Parts

In response to the Ist prompt on the newly opened We Write Poems, I contemplate boxes




Boxes

Contemplation #1

•

my memories gather and squabble
like crows in fallow fields
they pick clean
the bones of my recall

bones against the cruel clay
of an arid barren mind

bones spilled from soul boxes
in which I’d desperately collected
the scarred and damaged pieces
of my broken dreams

dreams now parched and withered
dried brittle in the coarse winds
of my dire confusion

their promises scratched and raspy
slowly slipping unintelligible
into the chaos and cacophony
of the crows in fallow fields

• • •



Contemplation #2

•

tanka

wonder’s trapped within
a box within more boxes
so deeply buried
by the years of failed dreams
you must not lose your wonder

• • •



Contemplation #3

•

tanka

love is sealed within
a box locked inside your heart
lost in the rubble
of years of broken promise
you can find it if you look

• • •



rob kistner © 2010

Stowaway

In response to the 2nd prompt on the newly re-opened Writer’s Island, I step from my place of hiding




Stowaway

•

slowly
with great caution
in halting measured step
I creep from sanctuary dark
to leave this place of safety

to sidle in uncertainty
into the chafing
cutting light

head bowed
spirit crushed
tensed for flight

emerging
visible again
though barely

poised to recoil
from any sudden emotion

long now in hiding
stowed away in sorrow
fragile as a newborn bird
unsteady as a fawn
just as frightened
as unsure

my wounded soul
took refuge in aloneness
dug in
resolved to disappear
become invisible
perhaps to die
the weight of life too great

simple breaths
a considered labor
but still I drew them
hesitantly

long I lay
shallow breathing
unwashed
unfed

resigned to simply vanish
from this hopeless realm

despaired I would never find
a reason to go on

yet slowly I emerge

but please
no impulsive expectations

permit me slow and careful evolution
from my chrysalis of anguish

let me find my way
back into the light
from my place of hiding

offer only patience
and safe distance

• • •

rob kistner © 2010


Mind’s Eye

…response to prompt #13 from Magpie Tales




Mind’s Eye

•

I sit
with my mind’s eye
I watch the flow of people

the shuffle of feet
with their different sounds
according to their shoes

I see wan faces of unsmiling lips
their void curves denounce this night

yet unseen
is the gossamer curtain’s fall
that defines their soul’s duality

the divergent reality
through which truth stumbles blind
to move in the world rough as a rope
taut as every promise made
frayed as wisdom
leaned in whispered from behind

grab at time like dropped money

I might learn something tonight
if someone will release the light
so I can shine like a child
who likes ice cream most of all

this child reads old mens’ minds
and notices the shoes
the belts all made of leather

I feel a shiver of sad imbalance
a confliction in my soul

so I will watch the shoes
and practice non-attachment
because I can

but pieces of me
stick to whoever gets too close

you may have seen me
silhouetted against the sky
the coldest night in January
howling with the frozen moon

then moon and I
sneak through fate’s construct
among cages of studs & trusses we run

from room to imaginary room
the whole world close enough to touch

we eat a midnight lunch of damaged bread
seasoned by caution and foreign lands
with onion’d thoughts layered deep

show mercy
peel back the layers
peel me away thin by thin
skin by skin
to my quivering soul

I hope I am not ugly in your sight

these thoughts become too heavy to hold
to tough to chew or swallow
my thoughts
bone-white lies of morality plays
open for you to peek

hope they are not ugly in your sight
hope they do not make you weep
as you peel back all the layers

onion’d thought layers
held fast and firm
like a carapace
to which I’m stitched and welded
and can no more leave than you can truly enter

they tie me down sometimes
but sometimes barely so

inescapable optimism in my bare-bones grin
flashes in the brittle moonlight

a stranger comes to where I sit
to see
his stare blinds the stars from my eyes

behind his fey smile
his radar dreams scan the forgotten creases
the clandestine getaways in my mind

standing over
he peers down with probing gaze

one of us
will learn a thing or two this night

• • •

rob kistner © 2010

____________________________________________
…an edited re-write of an earlier draft…